Document Details

Document Type : Thesis 
Document Title :
THE STRUCTURE OF DIALOGUE IN THE PLAYS OF "RAGAA AALEM"
بنية الحوار في مسرحيات رجاء عالم
 
Subject : Faculty of Arts and Humanities 
Document Language : Arabic 
Abstract : This study titled "The Structure of the Dialogue in Raga'a A'alem's Plays" sheds light on the types of dialogues in Raga'a A'alem's plays. That is by applying the formative structural method in an attempt to figure all of the economical and local circumstances which existed through the conflict of reality of the heroes. This is done by interpreting the language of the dialogue in both its surface and deep structure. Furthermore, the study tried hard to unveil the dramatic school of Raga'a A'alem and how her theater benefited from the global streams, especially since the writer's texts were neglected from this scientific research. As a result this research was written, which starts with an introduction then a preface and contains three phases. Firstly, the definition of dialogue and its importance in building the play. Secondly, dialogue and the formative structure. Thirdly, introducing the writer Raga'a A'alem and her play writing, Fourthly: Description of the plays. Then the research was divided to chapters. Chapter one: the generative formation of the dialogue. Which contains the techniques and types of dialogue. Chapter two: the mental structure of dialogue. Which contains the spacetime of dialogue and dialogue and being. Then comes chapter three: dialogue and the vision of the world. It contains two studies: The harmony of Raga'a A'alem's dramatic dialogue and how the world is visualised in the dialogue of Raga'a A'alem's drama. Some of the most important results of the research are first the fact that the discontinuous dialogue shines the most in Raga'a A'alems plays, revealing that individuals are incapable of communicating with each other in a positive and deep way. While the linked dialogue leads to the fact that lingual, behavioural and intellectual harmony exists between individuals of the same type. Which gathers them the same goals and benefits. The hidden character appears in this type of dialogue in the writer's drama. Another important result of the study is the fact that the social conditions have changed in the writer's age due to the economical changes which led to the appearance of social classes and people orienting towards material life. This led to the writer's feeling of the crisis of human being in his reality. Especially since she lived a deep spiritual life under her family which outcasts social classes and respects human being. Then the silent supplication to Allah becomes the only possibility to the person under his isolation from humans. This supplication is considered an evidence to the psychological struggle the person is suffering in them as a result to the class conflict within the society. In addition, the motor dialogue specifically showed the behaviour of each class in its conflict with the other class side to side with the outer dialogue. Finally, the world is visualised this way in the dialogue of Raga'a A'alem's drama: (human- social classes in the world- Allah). The study recommends printing the scripted plays of Raga'a A'alem and studying it in more than one scientific method and invites acting her dramatic texts on the stage of her homeland. I ask Allah almighty that this work is done sincerely to him and to make it beneficial and praise to Allah lord and master of all worlds. 
Supervisor : Dr. Abdel Nasser Abdel Hamid Noureddine Hilal 
Thesis Type : Doctorate Thesis 
Publishing Year : 1442 AH
2020 AD 
Added Date : Friday, December 25, 2020 

Researchers

Researcher Name (Arabic)Researcher Name (English)Researcher TypeDr GradeEmail
هدى عبد العزيز الشمريAl Shammari, Huda AbdulAzizResearcherDoctorate 

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